The Civic Orchestra of Chicago is proud to announce the 2017/18 class of Civic Fellows. Throughout the season, in addition…
As I am typing this post I am listening to the BBC World Service report of the battle at Mosul, where Iraqi and Kurdish troops advance toward a city full of innocent civilians and IS fighters.
The Civic Orchestra of Chicago is proud to announce the 2016/17 class of Civic Fellows. Throughout the season, in addition…
It’s Halloween. I am sitting in an elementary school on the southwest side of Chicago, observing an interaction between a…
On a Sunday afternoon in mid-September 2014, four Citizen Musician Fellows visited the Illinois Youth Center Warrenville. The Fellows were there with Storycatchers Theatre to meet the young women in residence at the facility, and to discuss the upcoming performances of this year’s musical, Teenage Tears — a story inspired by the girls’ life experiences, as captured by Storycatchers.
Making music in a small group can be challenging for even the most seasoned professionals, which is why I was especially intrigued when I learned the Citizen Musician Fellows were about to witness musicians as young as ten partake in the complex process that is chamber music.
Like running marathons, taking orchestral auditions isn’t for everyone. But for me, well, it’s pretty clear. I can’t stay away.
Seventy. Seventy students. The number rang through my head as I made the hour-long journey to Symphony Center a few weeks ago. I was excited to meet someone who leads his life in a way I envision for my own.
There is a hidden gift in the omnipresence of music and sound; people seem to know a lot about music without even realizing it. In the often music-less schools throughout Chicago, Avo Randruut has exploited this implicit knowledge to not only teach students about classical music, but to even make music with them.
After a while, she realized that maybe being driven and ambitious didn’t have to mean pursuing this one single-minded goal. There had to be more to a life in music than the orchestra job she had always assumed she would get. She had to ask herself—is this what’s going to make me happy?
For him it’s all about the music. More importantly, he believes in advocating for the visibility of composers whose works may have fallen by the wayside amidst the complexities and anxieties of premiers, hidden estates, or family feuds.