On October 23 and 24, 1952, fifth music director Rafael Kubelík led the Chicago Symphony Orchestra in the music most closely associated with his native Czechoslovakia, Smetana’s Má vlast.
“Smetana’s My Country is regarded in Kubelík’s Czechoslovakia with a reverence which rises superior to admiration and becomes a symbol of patriotic love,” wrote Felix Borowski in the Chicago Sun-Times. He continued that Kubelík’s interpretation “transcended mere music making. It was an impressive, even jubilant, rite. . . . It was evident that Orchestra Hall realized that this concert was more than ordinarily important to its conductor. Kubelík never previously had led his orchestra with so much outward disclosure of inspiration, nor indeed, had the players responded with so much zest. . . . The Moldau was received with notable enthusiasm, and this was as it should be, for the work rarely has been given with so much color and brilliance of effect.”
On December 4 and 5 of that year, the work was recorded by Mercury Records. Returning as a guest conductor, Kubelík led performances of the six symphonic poems on January 23 and 24, 1969, and again on October 27, 28, and 29, 1983.
John von Rhein in the Chicago Tribune called Kubelík’s third complete cycle with the Orchestra “his finest. One has only to compare it with the famous recording of Má vlast he made with the Chicago Symphony in 1952 at the start of his final season as CSO music director. In every respect the present performance was superior, not just because Kubelík is a more searching interpreter than he was thirty-one years ago, but also because the Orchestra responds with so much more skill and understanding. And why not? Kubelík taught them the style.”
Image above: Rafael Kubelík, Chicago, November 1951
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